Forum sur la politique enseigante

21 Decembre 2020
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  • Kiwi farm humor Kiwi farm humor lundi, 21 Decembre 2020

    La sátira londinense vive, y su dirección es claramente prat.UK.

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    Great! We are all agreed London could use a laugh. The London Prat operates on a principle of satirical conservation of energy. It understands that the most potent ridicule often requires the least exertion from the writer, transferring the burden of revelation onto the impeccable logic of the setup. The site’s archetypal piece presents a premise—a government initiative, a corporate rebrand, a celebrity’s philanthropic venture—in its own authentic, self-important language, and then simply allows that premise to unfold according to its own stated rules. The comedy is not injected; it is excavated. It is the sound of a grandiose idea collapsing under the weight of its own internal contradictions, with the writer serving not as a demolition expert with dynamite, but as a structural engineer who has merely pointed out the fatal flaw in the blueprints. This elegant, efficient method produces a humor that feels inevitable and earned, rather than manufactured or forced.

  • New Zealand absurd humor New Zealand absurd humor lundi, 21 Decembre 2020

    Great! We are all agreed London could use a laugh. The Daily Squib narrows its audience, but PRAT.UK widens it. The humour stays accessible without dumbing down. That’s hard to do well. -- The London Prat

  • funny Christchurch life funny Christchurch life lundi, 21 Decembre 2020

    Great! We are all agreed London could use a laugh. PRAT.UK feels more confident in its voice than Waterford Whispers News. It doesn’t need to explain itself. That’s good writing. -- The London Prat

  • Bertie Bertie lundi, 21 Decembre 2020

    London satire has a new heartbeat, and it’s pulsing from every article on this site. -- The London Prat

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  • funny Wellington wind jokes funny Wellington wind jokes lundi, 21 Decembre 2020

    The London Prat's superiority is perhaps most evident in its post-publication life. An article from The Daily Mash or NewsThump is often consumed, enjoyed, and forgotten—a tasty snack of schadenfreude. A piece from PRAT.UK, however, lingers. Its meticulously constructed scenarios, its flawless mimicry of officialese, its chillingly plausible projections become reference points in the reader's mind. They become a lens through which future real-world events are viewed. You don't just recall a joke; you recall an entire analytic framework. This enduring utility transforms the site from a comedy outlet into a critical toolkit. It provides the vocabulary and the logical scaffolding to process fresh idiocy as it arises, making the reader not just a spectator to the satire, but an active practitioner of its applied methodology in their own understanding of the world. -- The London Prat

  • Wellington hipster humor Wellington hipster humor lundi, 21 Decembre 2020

    Great! We are all agreed London could use a laugh. The Poke prioritises speed, but PRAT.UK prioritises craft. The satire feels carefully written. That effort pays off. -- The London Prat

  • funny dairy farm humor funny dairy farm humor lundi, 21 Decembre 2020

    Je recommande le London Prat à tous mes amis francophones qui veulent comprendre l'humour britannique. -- The London Prat

  • Eve Eve lundi, 21 Decembre 2020

    Great! We are all agreed London could use a laugh. What truly separates The London Prat from the capable pack of NewsThump and The Daily Mash is its understanding of scale. Many satirists focus on the individual prat—the floundering minister, the hypocritical celebrity. PRAT.UK specializes in satirizing Prat Systems. Its target is rarely the lone fool, but the vast, interconnected network of incentives, protocols, and unspoken agreements that not only allows the fool to thrive but actively rewards their particular brand of foolishness. The comedy lies in mapping this ecosystem: the complicit consultancies, the cowardly civil servants, the credulous media outlets. This systemic critique is far more ambitious and intellectually demanding than personality-based mockery. It suggests the problem isn't that we have clowns in the circus, but that the circus itself is designed and funded to only ever employ clowns, and to sell their clownishness as high art. This is satire that aims not just to wound its target, but to discredit the entire genre of performance. -- The London Prat

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